El primer pensamiento que a uno se le viene a la cabeza con esta pelicula es sin duda.Es necesaria una remake de la excelente pelicula filmada en los 70? La realidad es que no se si necesaria pero si bienvenida. Agatha Christie es de mis escritoras predilectas y si bien en esta pelicula el personaje de Poirot esta un tanto devaluado de lo que fue la interpretacion de Albert Finney en aquel entonces, lo cierto es que el resto del cast brilla sobre todo Daisy Ridley, ya todos conocemos la historia y su excelente final pero esta bueno traerlo a las nuevas generaciones. Es una pelicula genial al igual que la anterior compararlas seria malo porque son muy distintas, asi que lo mejor es disfruta. Synopsis What starts out as a lavish train ride through Europe quickly unfolds into one of the most stylish, suspenseful and thrilling mysteries ever told. It is the tale of thirteen strangers stranded on a train, where everyone’s a suspect. One man must race against time to solve the puzzle before the murderer strikes again. Metrics Movie Details Production Budget: $55,000,000 Mexico Releases: November 10th, 2017 (Wide), released as Asesinato en el Expreso de Oriente February 20th, 2018 by MPAA Rating: for violence and thematic elements. (Rating bulletin 2495 (Cert #51021), 9/27/2017) Running Time: 114 minutes Franchise: Keywords:,,,,,, Source: Genre: Production Method: Creative Type: Production Companies:,,, Production Countries. December 20th, 2017 We’ve been tracking ’s international numbers since it debuted, so there’s not a lot to talk about here. The film dominated the international chart with $230.0 million in 54 markets during its first weekend of release, while its opening was $450.0 million. Financial analysis of Asesinato en el Expreso de Oriente (2017) at the Mexico Box Office, including earnings and profitability. ASESINATO EN EL ORIENT EXPRESS (DUAL. Blu-Ray Enero 2014 'Murder on the Orient Express' editado por Universal y. En la boda de Ignatius Reilly. However, it wasn’t the only film at the international box office. December 13th, 2017 earned first place for the second time with $55.3 million in 35 markets for totals of $254.0 million and $389.7 million. Even if we pretended Christmas wasn’t right around the corner and that the film didn’t still have several major markets left to open in, it would still be on track to earn over $500 million worldwide, which is more than enough to cover its entire production budget and likely a sizable chunk of its advertising budget. With Christmas less than two weeks away and international openings in Australia, Italy, Brazil, South Korea, the U.K., and Japan still ahead, there’s a chance this film will finish with $750 million worldwide. That would be more than enough to pay for its combined production budget, meaning it will break even before it reaches the home market. As for this past weekend, the film continued to top the chart in China with $34.80 million over the weekend for a three-week total of $127.98 million. December 6th, 2017 climbed into first place with $69.0 million in 33 markets for totals of $171.3 million and $281.4 million. The film opened in a trio of major markets in Europe, earning first place in all three. France led the way with $5.2 million, $6.4 million including previews, while Spain ($2.8 million) and Germany ($2.0 million) were also strong results. It beat ’s opening in all three markets. The film grew 146% during its second weekend in China earning $44.17 million over the weekend for a two-week total of $75.79 million. The film is already the biggest hit in China and is in third place for animated films, behind and. November 30th, 2017 There are no wide releases this weekend, which means should have no trouble remaining on top of the chart. In fact, most of the top five will remain the same as. Maybe one of the Awards Season contenders will expand enough to grab a spot in the top five, but that isn’t really likely. This weekend, remained in first place, as there were also no new releases to compete against. 2017 should be able to win in the year-over-year comparison, but it will be awfully close. November 29th, 2017 plummeted more than 60% to $71.5 million on 32,800 screens in 66 markets for two week totals of $310.98 million and $482.88 million. It’s only major opening came in Japan, where it earned first place with $3.85 million on 645 screens. This is ahead of and, so the movie is keeping its dreams of $800 million worldwide alive. It really needs that much to break even any time soon. Its biggest holdover was China, where it fell 68% to $16.36 million over the weekend for a two-week total of $84.17 million. It should be able to get to the century mark there, which will be reason to celebrate. It remained in first place in Brazil with $5.4 million on 1,617 screens for a two-week total of $24.8 million. November 28th, 2017 gave yet another reason to be thankful for Thanksgiving. It topped the chart, to give the studio 10 of the 11 biggest Thanksgiving openings of all time. Meanwhile, fell a little bit faster than expected, and $250 million domestically might be out of reach. It depends on how well it holds onto its theater count when opens. Overall, the box office fell 5.2% from to $189 million. This is 2.4% higher than the same weekend. Granted, that’s not enough to deal with inflation, but at this point, I’m willing to use any excuse to celebrate. Year-to-date, 2017 was able to close the gap with 2016, but is still behind 4.1% with $9.53 billion to $9.95 billion. November 22nd, 2017 is the only wide release of the week, which is amazing for Thanksgiving weekend. This should boost its chances at the box office and it is now expected to open in first place. Was expected to repeat as box office champion this weekend, but that’s likely not going to happen now. This weekend, earned $82 million over the five-day weekend. I don’t think Coco will match that, but it will come close enough to top the chart. November 22nd, 2017 easily won the weekend race on the international chart with a total opening of $184.95 million on 47,000 screens in 65 markets. Its biggest market was China, where it opened with $50.58 million over the weekend for a total opening of $51.89 million. Its best market was Brazil, where it earned $14.2 million on 1,580 screens, which is the biggest all-time opening in that market. In most major markets, the film opened above and. For example, the film earned $9.6 million in Mexico, compared to $8.22 million for Wonder Woman and $7.34 million for Thor: Ragnarok. It wasn’t as impressive in every market. For example, it only managed $9.67 million during its first place opening in the U.K., which is equivalent to a little more than $50 million here. The film opens in Japan this weekend, but it will need good legs to pay for its $300 million production budget. November 21st, 2017 easily won the race for first place on the box office chart. However, it only managed $93.84 million, which is substantially lower than it was to open with. In fact, it’s the first film in the to not open with more than $100 million. (To be fair, it is doing better internationally.) was a surprising hit in second place and it helped the box office rise 32% from to $199 million. More importantly, this weekend was 26% higher than the same weekend. 2017 ended its most recent slump, but it is still 4.5% or $430 million behind last year’s pace at $9.21 billion to $9.65 billion. November 18th, 2017 As, dominated the box office chart, earning four times its nearest competitor. However, it only managed $38.8 million on Friday, which is well below expectations. In fact, tracking has been dropping and the film is now widely expected to open with less than $100 million over the weekend, making it the only film in the to fail to reach the century mark during its opening weekend. There are a number of reasons why this film is struggling. Firstly, except for, no film in the franchise has earned good reviews and mainstream audiences may have given up on the franchise. Secondly, the troubled production meant a lot of people who were part of the target audience, but not hardcore fans, are taking a wait-and-see approach here. Since its are bad, these people are staying home. Its CinemaScore is just a B plus, so it won’t have great legs going forward. Finally, there’s. That film is proving to be stronger than expected competition, as it started faster and is holding up better than most similar films. I think is going to have to rethink the entire DCEU before going forward. Is already in post-production and is definitely going forward. After that, I’m not sure what films will or will not be made. November 16th, 2017 is hoping to be the biggest hit of the month, but two things could get in the way of that goal. Firstly, got off to a faster than expected start. Secondly, Justice League’s are significantly weaker. There are two other films coming out this week, and, both of whom are simply hoping not to be lost in a crowded marketplace. This crowded marketplace should help 2017 end its slump against 2016. This weekend, opened in first place with just under $75 million, while there were three other films that earned between $10 million and $20 million. This year, Justice League should top $100 million with ease, while Thor: Ragnarok will earn more than $25 million. The top two films this year should do better than the top five films from last year and that should lead to 2017 earning a comfortable win over 2016 in the year-over-year comparison. November 15th, 2017 For the third weekend in a row, dominated the international chart, earning $75.9 million in 56 markets for totals of $438.5 and $650.6 million. The film fell 59% during its second weekend in China, but this is actually much better than average for the market. It added $21.71 million this past weekend, pushing its running tally to $95.51 million after just two weeks of release in that market. The film held up even better in the U.K., where it dipped just 33% to $4.05 million in 569 theaters for a three-week total of $34.07 million. Its next biggest international market was South Korea, where it has earned $31.07 million, including $3.53 million on 856 screens this past weekend. The film already has more worldwide than either of the previous films earned in total. It has entered the top ten in the and it is on pace to enter the top five on that chart before its done. November 14th, 2017 led the and actually beat our by a small degree with $57.08 million. The two new releases, and, also beat expectations. Unfortunately, that wasn’t enough to help the overall box office, as it fell 16% from to $151 million over the weekend. This is 4.9% lower than the same weekend. 2017 has fallen further behind 2016 at $8.98 billion to $9.46 billion. 2017 is 5.1% or $480 million behind last year’s pace and I’ll be happy if we can cut that deficit in half by the end of the year. November 12th, 2017 maintains a firm hold on top spot at the domestic and international box office this weekend, with a respectable decline of 54% at home taking it to $56.6 million for the weekend and $211.6 million to date. With another $75.9 million internationally, for a total of $438.5 million overseas, Ragnarok will pass $650 million worldwide today. That makes it the, and it seems like it should retain decent traction into the holidays, even with coming out next weekend. November 11th, 2017 As, easily won on with $18.28 million. This is 61% lower than its opening, which is better than most blockbusters manage. It also puts it on pace for $56 million during its sophomore stint, which is exactly on track with my prediction. Meanwhile, ’s share of the film’s worldwide box office is already above the film’s $180 million production budget, so profitability is all but guaranteed. November 10th, 2017 pulled in $1.6 million during its previews lat night. In order to match our $27 million, it will need a multiplier of just under 17. By comparison,, which is another murder mystery movie with a train in it, earned a multiplier of almost exactly 20 with $1.23 million in previews and an opening weekend of $24.54 million. Murder on the Orient Express also earned, which would suggest longer legs. On the other hand, it had louder buzz, which tends to result in a more front-loaded box office. We will have a better idea tomorrow when Friday’s estimates are in. November 9th, 2017 After last week’s debut, should have no trouble repeating in first place, but we do have two new releases that should be in a battle for second. Had a strong opening in the and that bodes well for its opening this weekend. On the other hand, ’s box office potential is moving in the other direction. As I started writing this, there were still on Rotten Tomatoes. This weekend, led the way with $42.97 million. Should top that by around $10 million. Likewise, this week’s new releases should top last year’s new releases. However, last year had a lot better depth. Last year, every film in the top ten earned more than $3 million. This year, I’m not sure the fifth place film will earn more than $3 million. I fear 2017 will lose yet again in the year-over-year comparison. November 9th, 2017 As expected, remained in first place on the international chart dominating the competition with $151.4 million in 55 markets during its second weekend of release for a two-week total of $306.0 million and $428.7 million. After just two weeks of release, the film is within striking distance of the original at the worldwide box office and by this time next week, it might surpass. As for this past weekend’s highlights, the box office was led by China, where it earned first place with $53.42 million over the weekend for a total opening of $54.53 million. This is the biggest November opening in that market and the biggest total for a film. It had to settle for second place in Mexico, but was still impressive with $7.34 million over the weekend for a total opening of $10.52 million. It also did well in Germany with $5.5 million over the weekend for a total opening of $8.9 million, which is 70% higher than ’s opening there last year. The best holdover came from South Korea, where it was down 47% to $6.39 million on 1,047 screens over the weekend for a two-week total of $25.88 million. The only market left to open in is Trinidad, but even with no major markets, the film will have no trouble getting to $500 million internationally and $800 million worldwide. November 2nd, 2017 Next weekend, there are two wide releases, and, both have a shot at $100 million, but both are expected to come up short. Even if both films earned the same amount in the end, Daddy’s Home 2 should still open faster, because of its target demographic. Therefore, Daddy’s Home 2 is the better choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for. We are continuing our Christmas contest for as long as I have supplies to mail out prizes, at which time the contest ends for good. The last of our winners will either get a Christmas present or a lump of coal. The present will include a couple of movies, TV shows, maybe some kids DVDs, etc., while the lump of coal will be the last of my HD-DVD titles, while they last, as well as something from the prize pool. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize, as described above. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Frankenprize, as described above. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! November 1st, 2017 wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, and, while is nearly a guarantee for $200 million. By comparison, last had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point. June 2nd, 2017.
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